Skip to main content

The Heritage of Fuwwah

 


Fuwwah is among the most important heritage sites in Egypt for Islamic arechitecture, together with Cairo, Rashid (Rosetta, 30 kms to the north-north-west) and Girga (in Upper Egypt). It shares with Rashid the mangur brick architecture, where bricks baked in different ways take a reddish or blackish colour. Now most of the buildings are painted, but the red-and-black pattern remains characteristic; white plaster integrates this design. A couple of buildings with this technique survive in Alexandria as well, so perhaps it was a Western Delta style. While Rashid is famous for its well-preserved Ottoman houses, well worth a visit, Fuwwah is renowned for religious architecture, with several registered mosques and domes, marking the burial spot of a shaykh.

We are very thankful to the Ministry of Tourism and Antiquities for granting access to the historic sites of al-Tekeya al-Khalwatiya and Rabaa Khattabiya, which are normally closed. We are also very thankful to the inspectors of Fuwwah for their support and for sharing their knowledge and passion with us.

Mosque of Abu al-Makarim (1850)

Abu al-Makarim was a Sufi leader (died in 1572), he is buried inside and every year a mawlid is celebrated in his honour. It is one of the most important mawlids of this part of the Delta, after those of Ahmad al-Badawi in Tanta and that of Ibrahim al-Disuqy in Disuq (only 15 kms to the south-east). A marble foundation panel on the main entrance name the eunuchs Hagg 'Abd Allah and Hagg 'Anbar (1339). The minbar is a work of master Ragab Lavandi, from Iran and the minaret ios odler than the rest of the actual mosque.



Mosque of Badr ad-Din Hasan ibn Nasr Allah (1703-07)

The original mosque was built by Badr al-Din Nasr Allah (1364-1442) in the 15th century, but the actual mosque is the work of a certain 'Ali Sulayman (1703). The sill has a massive quartzite slab with ancient Egyptian hieroglyphs, certainly spolia from a nearby temple. Inside the mosque there are several marble slabs with texts of royal decrees issued in 1401, 1404, and 1413. The minbar is dated to 1705-06.







Mosque of Shaykh 'Abd ar-Rahim al-Qana'i (1720)

'Abd al-Rahim al-Qana'i died in 1127 and is buried in this mosque, which nevertheless is a reconstruction of the older building. By the main entrance there are two marble slabs with Mamluk royal decrees dated 1384 and 1404. The main door sports a beutiful invetriated hexagonal tile dating to the 17th century.






Mosque of Shaykh Ibrahim al-Namiri (1785-1800)

The main door bears an inscription that dates it to 1785, while minbar and secondary door date to the year 1800. On the niche of the mihrab the nice square Kufic inscription is a verse of from the Holy Quran.


Dome of Abu al-Naga' (1767)

This small darih, close to but physically separated from the homonymous mosque, is in a very scenic location, directly on the banks of the Nile river. The facade is richly decorated with mangur brick inlay and small glazed tiles, some of which look Tunisian in style. The burial site is covered by richly carved and painted canopy.






Heritage Map of Fuwwah

Here is a map that can help you navigate the heritage of Fuwwah if you wish to visit on your own.


Comments

Popular posts from this blog

Co-Weave Fuwwah Lab Day 2

The theme of today was industrial heritage and contemporary crafts. We first stopped at the Tarbush Factory Gates (1824), which I reckon is the first factory in the whole SWANA region (check out this beautiful publication by DAIK member Ralph Bodenstein). If you want to see how tarbush is made today, one of the last workshops can be found in Mu'ataz Ladin Allah Street , Historic Cairo. We had a stop at the local club - generously offered by Mr Yasser Ragab, Chairman of al-Marwa Association Fuwwah - where we had a quick introduction to the concept of “tura”, the base unit used to weave patterns into carpets, offered by participant designer Mohamed aka Amro Magdy . A tour of some of the weaving workshops allowed us to meet the weavers in their environment, where the looms swing and clang for hours every day, and dyed threads hang to dry on balconies. We have no idea how many workshops there are in the city, but it feels like every large door in every building might have one, as pass...

Co-Weave Fuwwah Lab Day 3

We now concluded the first phase of our Co-Weave Fuwwah Lab, which extended for three consecutive Saturdays from April 25 to May 9. This time we gathered at the Tekeya al-Khalwatiyah once again, owing to its spacious courtyard and shaded entryway. It is a rather beautiful building, with the typical mangur brick facade repeated inside at the entrance to the darih of Shaykh Rihan. The Khalwatiyah is a sufi order founded by Yahya Shirvani, a disciple of Umar al-Khalwati, in Herat (in what is today Afghanistan). The first part of the day was spent co-designing: by now acquainted with their buddy, designers and weavers sat together in the shaded sides of the courtyard. They used a design log we provided both to check that the co-design exercise was effectively engaging the weavers as much as the designers and to sum up the most important design elements. As couples were finalising their design outlines, we started a full revision of techniques, colours and sizes with Mahmoud Sa'ad '...

With British Council at the Creative Industry Summit 2026

  Trying to catch up with something big that happened to us at the beginning of the month... So, a great opportunity came our way thanks to the unweavering support of British Council, which just before 'Eid al-Adha let us know they were getting a space at this incredibly prestigious event in Cairo. Because British Council is proud of our work ( 😁🙏 ), they wanted to showcase our two creative-economy projects: the Cross-Craft furniture competition of 2025 and the running Co-Weave Fuwwah Lab. Sami Creta asked us to design the space, create banners, and set up a little display of the outcomes. It was a great opportunity to engage our Art and Design students at the British University in Egypt with a real, hands-on experience and to realise that jobs get done in a couple of weeks (and not in a full-semester), clients change their mind continuously, branding is fundamental, and budget is often an issue (well, not this time to be honest). Interior Design students, supported by staff, des...